While you worry about finishing the cut, let us help you put on the highest quality HD preview and premiere screenings. You can work with our skilled colorists and ensure that your vision for your movie is seen by the preview audience. Our trained projection engineers go on site to install and calibrate your digital projector for the highest quality pictures. We provide the server and backup server so that the show will go on. Your film can be assembled on your choice of the SuperComputer2.0, Nitris, Final Cut Pro, or even as a first pass at the DI on the Lustre.  

LaserPacific prides itself on using the latest cutting edge equipment, so that we can support the assembly of your editorial effects.   For instance our unique, Emmy award winning SuperComputer2.0 allows us to conform your HD preview in a fraction of the time it would take in other systems.  In addition, with the ability to accept an Avid bin, all of the editor’s temp Avid opticals are assembled as part of the list.  This is a huge time savings and pressure savings for your cutting room and allows your director to work up until the last minute. 

After assembly, one of our many talented colorists grades the picture to your desired look.  At LaserPacific we cater to your needs, anything from a short window of color correction or an extended period to dial in the finalized look of the film. This is the first time your film will be seen on the big screen and you don’t want it to be compromised.   
You can count on LaserPacific to personally see every step of your preview through, going into the field with highly trained technicians to install a digital cinema projector and server in the theatre of your choice for the highest quality screening of your film.

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