Whether your project was cut on Avid or Final Cut Pro, LaserPacific can conform your movie seamlessly, and integrate your opticals. Whether you're shooting on film on digital, we'll help you output the lists we need to make the process easy and pain-free. If the cut changes, don't worry - re-conforming is straightforward. Need multiple versions - that's easy too. Are your visual effects coming from several different facilities in more than one country?  We'll provide the information they need to deliver the files in the correct format. Do you need a more complicated, multi-layered optical? We'll send you over to our in-house VFX team who can design and finish your sequence.

Preparing projects that are shot with digital cameras for conform definitely have a number of choices whether you are finishing for television or DI. We have a number of ways to help you assemble for new digital cameras like Red. Let us help you decide the best pathway and show you how we can assemble your project directly from your Red4K R3D files, or Quicktime reference movies for final finish to HD or data.  Today, with data camera options which record to P2, SxS, HDCam, HDCAM SR, DVCPro, DVCPro HD, and directly to hard drives, isn't it great to know that you can rely on the post production experts that for over 25 years have helped to invent, guide and lead the industry?

You have choices, we have options. You don't have to be a conformist at LaserPacific. We celebrate the differences and offer them all to you with straight talk, deep knowledge and a way that you understand what all this exciting change means to your image, schedule and your budget.

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