LaserPacific has the best DI timing theatres in the world with some of the most experienced and talented colorists working in them, using the industry-leading Lustre™ color corrector from Autodesk. And with our efficient process, you can finish your film in under a month, including scanning, conforming, color timing and film output. In another week you can also have a digital cinema package and home video masters. Our in-house color scientists have characterized and calibrated our entire process, so that you can be confident that what you see in our timing theatre is what you will get on your film and digital cinema outputs.

LaserPacific understands dailies. Our entire company, back to the pioneering Electronic Laboratory™ was built around the notion of efficient dailies. Whether you are shooting for television or theatrical release on 16mm or 35mm film, video on cameras such as the Sony 900, 950, F23, Viper, Genesis or data cameras such as Phantom or Red, LaserPacific has a way to deliver dailies on time and on budget. After all no one wants "yesterdailies" or "tomorrowlies."

While you worry about finishing the cut, let us help you put on the highest quality HD preview and premiere screenings. You can work with our skilled colorists and ensure that your vision for your movie is seen by the preview audience. Our trained projection engineers go on site to install and calibrate your digital projector for the highest quality pictures. We provide the server and backup server so that the show will go on. Your film can be assembled on your choice of the SuperComputer2.0, Nitris, Final Cut Pro, or even as a first pass at the DI on the Lustre.  

Through our experienced team of creative professionals we offer a wide range of VFX services, including complex optical transitions, multi-layered graphics and title sequences, green and blue screen compositing, artifact removal, wire and rig removal, beauty enhancement, set extension and sky replacement and inserts with corner-pinning and tracking.

Our skilled technicians and image scientists provide the highest quality film scanning and recording services, with meticulous calibration and process control.  For digital intermediates or trailers, all our 35mm scans are done at 4K to capture all the detail in the film. This oversampling provides sharper, cleaner pictures whether you're finishing at 2K or 4K. For film recording, we offer the ARRI Laser or Imagica HSR film recorder. LaserPacific’s film laboratory provides an unique advantage - we can quickly turn around tightly-calibrated negatives and check prints, with tolerances maintained to one half a printer light.

Whether your project was cut on Avid or Final Cut Pro, LaserPacific can conform your movie seamlessly, and integrate your opticals. Whether you're shooting on film on digital, we'll help you output the lists we need to make the process easy and pain-free. If the cut changes, don't worry - re-conforming is straightforward. Need multiple versions - that's easy too. Are your visual effects coming from several different facilities in more than one country?  We'll provide the information they need to deliver the files in the correct format. Do you need a more complicated, multi-layered optical? We'll send you over to our in-house VFX team who can design and finish your sequence.

LaserPacific, along with Kodak Digital Cinema have long led the industry in the creation of both tools and services for digital cinema. Our Digital Cinema Packaging and Encoding team specializes in creating the elements that result in a Digital Cinema Package for theatrical motion pictures, trailers, concerts, special films, as well as Academy consideration projects. We have long been an industry leader in creating the elements for in-theatre pre-show advertising and can produce pre-show content for both MPEG2 and JPEG 2000 systems.