LaserPacific's VFX department is proud to continue collaborating with the post production team on the acclaimed, Emmy Award winning TV series Mad Men. The feel of the 1960's smoke hazed, boozy era is certainly due to the tremendous camera, art, make-up and costume department who have created a wonderful look for the show which is enhanced by LaserPacific's DI based timing tools. But LaserPacific's visual effects unit has also played a role in helping to "sell" the era by adding deft and subtle touches.

Starring Joan Allen as Georgia O'Keeffe, a leading force in American art in the twentieth century, and Jeremy Irons as her long-time lover, photographer Alfred Steiglitz, this biopic from Lifetime Television tells the story of the artist and her turbulent relationship with Steiglitz. LaserPacific's involvement included some challenging shots that forced senior VFX artist Jason Wilson to come up with some new 3D matte painting techniques to turn present-day downtown Los Angeles into New York City in the nineteen twenties and thirties. According to Jason, "the client requested that we build a cityscape of New York in the nineteen twenties and thirties that was accurate to the period with the skyline based on actual photographs taken by Alfred Stieglitz."

This action-packed show starring Jeffrey Donovan as a spy who's been "burned" or exposed as an unreliable agent is now in its second season on the USA Network. LaserPacific is proud to provide the dailies, online assembly, final color grading and VFX that enhance practical effects such as wire and rig removal. The show is shot in Miami and the city provides a stunning backdrop. Every episode includes spectacular stunts and explosions. For example, the episode "Scatter Point" featured the largest explosion in the history of Burn Notice - it was more than seven stories high and was filmed by six cameras!