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  • Babel

    LaserPacific Melds a Variety of Formats for Babel (Nominated for 7 Golden Globes)

     LaserPacific devised a unique and transparent workflow solution that seamlessly melded a wide variety of film formats for cinematographer Rodrigo Pr...

  • Captivity

    Pearl, Cole Push DI Tools to Create Unique Look for Captivity

    (Or: "Psycovision" - Qu'est-ce que c'est?)
    (This article describes the work on the first (and completed) DI color timing of Captivity.  A new production company subse...

  • Film Laboratory Services

    Hollywood's most efficient and modern motion picture processing laboratory; a pristine environment optimized for film projects finished digitally. LaserPacific offers labo...

  • Clerks 2

    Independent Filmmakers are Calling LaserPacific Home

    LaserPacific, with its full range of services and new inDI™ process, is quickly becoming home to many independent filmmakers. A deep understanding of budgets, time...

  • Black Dahlia

    Zsigmond's Images + Laser's Technology = A Modern Film Noir Classic: The Black Dahlia

    LaserPacific’s unmatched color science and superior service in the high end digital intermediate arena were put at the command of 

  • For Your Consideration

    For Your Consideration: Degraining Technology Helps Super 16 Stand Up Next to 35 MM

     

    Director of photography Roberto Schaefer, ASC has a strong working relationship with LaserPacific. Schaefer...

  • Harsh Times

    End-to-End, One-Stop-Shop, All-in-One...

    ...or: all the above.

    David Ayer is one of the screenwriters behind huge hits like The Fast and The Furious and Training Day. Harsh Times is a much smaller pro...

  • The Matador

    Matador Director Richard Shephard on the Value of DI

    LaserPacific’s digital intermediate expertise was crucial to the success ofThe Matador, an independently financed feature film directed by Richard Shepard and photograph...

  • Waist Deep

    LaserPacific DI puts Waist Deep's Creative Ideas Front and Center

    LaserPacific continues to bring the amazing creative control and efficiency of digital intermediate to independent productions with an eye on the budget. Lase...

  • Miami Vice

    Technology Thrill Ride - Working with Michael Mann and Bryan Carroll on Miami Vice 

    On his latest feature film, Miami Vice, director Michael Mann again relied on LaserPacific to help create and serv...

  • Southland Tales

    Richard Kelly and Steven Poster tell Southland Tales at LaserPacific

    LaserPacific collaborated with wunderkind director Richard Kelly andcinematographer Steven Poster, ASC to create a range of looks, including some ...

  • Stranger than Fiction

    Stranger than Fiction: (Not so) Visual FX in a DI

    Working on the third consecutive film with director Marc Forster and cinematographer Roberto Schaefer, LaserPacific provided dailies, previews and digital i...

  • Disaster Movie

    disastermovie_stillCompressed post schedule for Disaster Movie presents no problem for LaserPac...

  • Crash

    From the producers of the Academy Award®-winning Best Motion Picture of 2006, Crash

  • Two Coreys

    The Two Coreys: The Two Coreys is a reality show on the A&E network. The show follows the curr...

  • Harold and Kumar Escape From Guantanamo Bay

    Daryn Okada, ASC, explores a new frontier in Harold and Kumar Escape from Guantanamo Bay

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  • Miami Vice


    Technology Thrill Ride – Working with Michael Mann and Bryan Carroll on Miami Vice

    miami_vice_still

    Alvin and the Chipmunks

    Digital Intermediate for Alvin and the Chipmunks provides new challenges for LaserPacific.